LESS IS
GOING TO MEAN MORE
A NEW SET OF PHOTOGRAPHIC SERIES IS NOW AVAILABLE AS FREE DOWNLOADABLE PDFs FROM MY WEBSITE THROUGH THE LINKS BELOW
ALL SERIES FEATURED HERE ARE NOW AVAILABLE
For the
bulk of 2015, I have been working on several
different photographic series, some of which are still in long-term
production. Some of those series are
presented on my website under the 'E-PORTFOLIOS' tab.
2016 is
going to be the year of many series, but containing fewer images than some of the large projects I have been engaged with in the past. I have a lot of ideas and it is time to make
them real. So to begin with the website
has been recently revamped, with new work and new galleries. These will be regularly updated, particularly
the 'RECENT WORK' gallery and the
'E-PORTFOLIOS' galleries, as new work becomes available.
In
a way, TUVE MÖRK follows on directly from THE GÖTEBORG AFFAIR, in that it was shot in the same area, albeit this time in a
rural forested area of Gothenburg, a little suburb called Tuve, and in the
winter, over Christmas and New Year 2015/16. It was very peaceful and had a
hard beauty. Hours
of daylight were short. This area of Sweden is remarkable for the fact that their suburbs of
what used to be a city of heavy industry have been built - planted - in
forested areas. Flats and houses,
robustly constructed, spacious and pleasant, are never more than a few minutes
walk away from beautifully managed forest.
The rooflines never get higher than the trees so you have the impression
of living in a very rural area, even when you really are not. It was a lovely three weeks or so that I
spent wandering the forests, investigating the lakes, and generally chilling
out with nature.
Although there is generally an absence of litter of any kind which puts
the UK to shame, of course I managed to find a burnt-out car in the middle of
the woods. I have included this
uninspiring sight in this series as a protest against our despoliation of the
natural world. I took a great many
images, which is reflected in the size of this series, although I am now
thinking of restricting the editions of my series/portfolios to only 20 or so
images, so as to avoid viewer exhaustion.
Later, in
May of this year, I produced, over a very few days, a small series of images
entitled 'MAY 2016'. Prosaic, but it was
produced when the Spring bloom was at its height in a small area close to where
I live. Now a managed public access
area, it was originally part of a farm that still exists, and was a mixture of
pasture and watermeadow. At some time in
the past, there must have been habitation there as well, as there are a few
areas containing now-feral orchard species.
A place I regularly walk on my way to elsewhere, I have not really
devoted a lot of time to investigating it in detail, but my attention was
caught this year. At the time, I treated
it as a meditation on the time of year, and found it immensely satisfying. Even here though the less attractive aspects
of our modern life intrude; the blur of a supermarket sign through the dapple
of the leaves in the Spring sunlight; the wisteria trying to consume a tatty
old outbuilding. We should protest
against these insults.
'A DARKER
VIEW' strives for something more meaningful, deeper, and, well, darker, I
suppose. It is about boundaries,
between life and death, light and dark, soft and hard. In its inception, it was to be uplifting, and
I believe that I have succeeded, even if a little sombrely.
'HIGHGATE'
was a lot of fun. It came about from a
visit to the cemetery with my old friend and ferreting partner, Rufus. I suppose you could get deep, you could take
thousands of images, make it gothic, add vampires, whatever. I chose to give it a slightly filmic, mixed
monochrome and colour treatment, and delivered - there are only 20 images, as I
promised myself - a sort of casual wander through the space, concentrating on
only some of the many interesting memorials.
I particularly like the rather Father Christmas-like rendering of Karl
Marx.
All the
photographic series presented here are available free of charge on application
through the 'CONTACT ME' page. Just drop me
your email and which portfolios you are requesting, and I will email you a pdf
of the work you would like. I offer my
pdf portfolios free of charge.